Will Smith in 'Seven Pounds'

Will Smith is interested by the emotive pain now, in the side in black of the American life, in the people who are sad or sick or just unhappy dish, and him 's found a associate in the Italian director Gabriele Muccino. The team collaborated on continuation of, of Happyness film 2006 which told with the true gutter-with-richness the history of a man shining and endowed who fell always almost by the company the 'cracks from S. Their new, of film seven books, is a successor spiritual , of continuation but darker and more oblique.

In fact, the film is thus the round not and enigmatic which it is necessary for half of the operating time to appear right outside general nature of what 's active on. Seven books makes a mystery of its main character and of what him 's prosecuting, and for a very simple reason: If the film were to announce its subject and history in the usual frank way, this would seem so ridiculous, forced and the unpleasant limit that nobody would like to observe them. It could even seem funny.

Thus Muccino 'task of S is clear, if difficult - to produce of enough magic and to function to the top Juste of good mood in order to throw a fate on viewers. In this way, when the film of the 'intentions and significance of S are finally made clearly, nothing will seem unmatched or strange. All will seem reasonable. For the majority, Muccino achieves this precise balance for of which Grant Neoporte 'scenario of S.A. need.

Entering, very that we know Ben (Smith) is that something terrible occurred in its past, and that it feels responsible for him. That 's all. Differently than we gather gradually, by a broken account which scrambles the order of time. We learn that it is an agent of IRS. Later, we see that it makes audits of field, but audits of a kind very particular and feeling reluctant. It seems to specialize by tracking people for back taxes when they 're in the hospital, sometimes with serious diseases.

There 'anger of S in this type. In a scene, he speaks on the telephone with a technician about company about food 'about S (Woody Harrelson), and when he discovers the man is blind, he goes ballistic and begins with taunting it, transforming remarks of fading and degrading and the cries into telephone. Obviously, it is not Will Smith usual, and this difference is half of call seven books, to see sides of an exposure familiar of presence of screen the new ones of.

Smith made a remark of drawing these last years. Even in the main role of Hancock, which was majority in the manners an action film running, Smith had to establish a character different from its Persson turbulent usual of action, connecting on reservations of the pain and disillusion. But it enters much further seven books. Its breeziness becomes a not very deep act, and its smile becomes mysterious direct, a tended mask which hiding place the pain, draws aside the hostility and expresses the aggression at the same time all. He 'to smile of SA with the dead eyes.

In all, seven books has a distinct quality. All the thoughtful points, subjective cinematography and even the deadened aspect of the described executions contribute to a direction to be interior imprisoned by dream of alarm clock, or nightmare. Ben carries out a hollow existence, a death in the life, and the people with whom it comes into contact are forgotten, which was dropped out of the world.

Pleasure of seven book rest entirely in how one reacts to the lovesong which develops between the agent of austere IRS and Emily (Rosario Dawson), a suffering graphic artist of the congenital cardiac arrest. Some will cry stinking, tell him 's too much, that the film turns larmoyant. But for those which are on the film the 'wavelength of S, it is love at the edge of the universe. It is the kind of thing which inspires by the people to write operas.

Dawson, with its strident but significant beauty, is worthy of the treatment of opera. Seven exposures again that it has it in it to be a powerplant, even while it presents a softness and a vulnerability it hasn 't shown front. Dawson, which played Mimi in rent and Edouard Norton 'friendly of S as Spike Lee 's 25th, of hour is ready to take its place as an important actor of screen.

In the final analysis, about thing most attractive seven books is the element which it divides with Smith 'films merrier of S: He affirms the life as something enormous and important, nonsmall, not without significance, but monumental and worthy of great reports/ratios.